SMITA PATIL'S AVATARS (THE LOS ANGELES REVIEW OF BOOKS) 

CHER'S ERA (HAZLITT)

THE TEENAGE HEARTBREAK OF SOFIA COPPOLA'S MARY CORLEONE (TORONTO INTERNATIONAL FILM FESTIVAL'S THE REVIEW

WHAT'S KILLING JESSIE SPANO? (THE NEW INQUIRY

20 YEARS AGO, SELENA PROVED THAT JENNIFER LOPEZ IS AN ACTRESS WHO MATTERS. SO WHY DON'T WE THINK OF HER THAT WAY? (ELLE)

FRAN DRESCHER'S VOICE (HAZLITT)

ZAYN MALIK, DESI THIRST TRAP (PITCHFORK) 

MIRROR IMAGE: ON AGNES VARDA'S JANE B. PAR AGNES V. (REVERSE SHOT AT THE MUSEUM OF THE MOVING IMAGE)

WHERE THE NIGHT OF GOES WRONG ON RACE AND CRIMINAL JUSTICE (VULTURE) 

THE DISAPPEARANCE OF THE DELLA REESE SHOW (ATLAS OBSCURA

WHAT MISSISSIPPI MASALA CAN TEACH SOUTH ASIANS ABOUT SOLIDARITY (THE FADER)

IN PRAISE OF MANDY MOORE ON THIS IS US (VULTURE)

TIPPI HEDREN / MELANIE GRIFFITH / DAKOTA JOHNSON (TORONTO INTERNATIONAL FILM FESTIVAL'S THE REVIEW)

IN SEARCH OF LOST TIME (THE CARAVAN)

SOME WAYS OF LOOKING AT ISABELLE ADJANI (TORONTO INTERNATIONAL FILM FESTIVAL'S THE REVIEW)

MICKEY ROURKE'S FACE (MUBI NOTEBOOK) 

MYSTERY WOMEN: A REVIEW OF MIKE MILLS' 20TH CENTURY WOMEN (REVERSE SHOT REVERSE SHOT AT MUSEUM OF THE MOVING IMAGE)

THE DIVA'S DEVILS: ON OLIVIER DAHAN'S LA MOME & ASIF KAPADIA'S AMY (REVERSE SHOT AT MUSEUM OF THE MOVING IMAGE) 

BOTH SIDES NOW: A REVIEW OF IRA SACHS' LITTLE MEN (REVERSE SHOT AT THE MUSEUM OF THE MOVING IMAGE)

"A COMMERCIAL PIECE OF SHIT": MADONNA ON FILM(MUBI NOTEBOOK)

THE DISNEY RENAISSANCE'S LITTLE WOMAN (MUBI NOTEBOOK) 

WIDE AWAKE: ON PEDRO ALMODOVAR'S JULIETA (REVERSE SHOT AT THE MUSEUM OF THE MOVING IMAGE)

RUNNING FROM WAR: A REVIEW OF JACQUES AUDIARD'S DHEEPAN (REVERSE SHOT AT MUSEUM OF THE MOVING IMAGE) 

THE NAUTCH QUEEN OF NEW JERSEY, (ROADS & KINGDOMS, REPUBLISHED IN SUNDAY TIMES OF INDIA)